Wolveirne: Snikt #1-5: Wolverine is pulled to 2058 to fight an adamantium-encased living virus that has killed untold millions, if not billions. It's Days of Future Past as seen through a manga filter, and I liked it. If you're into manga styles and sensibilities, you'll enjoy this. If not, quite the opposite. As much as I enjoyed it, though, it took no more than 20 minutes to read all five issues, thanks to limited dialogue. And it only took that long because the third issue slowed down to give the backstory. This is a quick, mindless read, and though it shows Wolverine as a Manga-ish character, he's still the best there is at what he does. Comics: 369
Trinity #8: A Superman Reborn followup, in which Superman tells Wonder Woman and Batman about the recent history-reshaping events. As a standalone issue it won't work for most people, but as a followup to one story and a laying-the-groundwork issue for a forthcoming story it works well. Trinity #9: The trio find themselves transported to The Watchtower, where an alien presence has begun a hostile takeover. While it is a generic sci-fi plot, Francis Manapul manages to get in some characterization for Wonder Woman, Superman, and Batman. Comics: 364
The Wild Storm #4: It's hard to keep track of who's on which side and what goal(s) each side is aiming for, but I'm still enjoying the book. Super Sons #4: This book. Oh my god, this book. It is the best Superman and the best Batman comic on the market, and there are really good Superman and Batman comics out right now. It's fun, energetic, exciting, and sound exactly like bickering kids should sound. Comics: 362
The Flash #22: The Button comes to a close on a whimper. There are two big reveals in the book, but both were spoiled weeks (if not months) ago. Had they remained secret, the impact would have been huge. Besides that, though, there isn't much substance in the issue. By no means is it bad; it's simply too lean for a full issue. Nick Fury #2: So very fun and pretty. Manhunter: The Special Edition: This starts out so very strong, with an almost Golden Age vibe (RE: short stories packed with action and ass-kicking), then Batman shows up and the whole thing dies for me. Each eight-page chapter takes its time building to the final showdown between Manhunter and The Council, but when Goodwin and Simonson are given more pages to wrap the story up, it races to the finish and is painfully slow at the same time. On top of that: the focus shifts to Batman as Manhunter and his crew become background characters, the voice of the book changes so drastically it feels like a different writer, and the climax is downright forgettable. (For record keeping, with about 85 pages of story, I'm calling this one four issues.) Comics: 355
Interview with the Vampire or Little Women for her younger self, The Virgin Suicides or Drop Dead Gorgeous for her late teen / young adult years, and Marie Antoinette or Upside Down for her adult career. If you choose The Virgin Suicides and Marie Antoinette, you'll get a look at how Sofia Coppola directed Dunst in two movies.