elnino14

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Everything posted by elnino14

  1. I concur. That was ultimately my conclusion. Has any of you checked out the extended edition of T2, I think it's even better than the theatrical, it's about 20 minutes longer and most of the inclusions are just more good stuff. Also Kyle Reese makes a cameo.
  2. I was thinking about this and I couldn't decide which one I thought was THE quintessential action movie: Die Hard or T2. Totally agree. I still wish it ended with T2: Judgment Day
  3. Playing Metal Gear Solid 1, 2, and 3, in order to prepare for number 4 for when that gets here with my brand new PS3. Currently on Metal Gear Solid 2. The story is still all over the place, and they throw so many things at you, all the time, but the gameplay is miles ahead of number 1. The ability to go into FPS mode to aim, the attention to detail, hiding bodies in lockers, some smarter enemies, it still a huge upgrade in terms of gameplay. I also found that it's not the Raiden character so much as the girlfriend who's completely fucking annoying, as well as the fact that it's basically game 1 from a different point of view. We didn't need a new point of view, we didn't need Raiden, and we certainly didn't need Raiden's fucking girlfriend. Just give me a completely new game continuing Snake's story. Anyways, I never played 3, but it's exciting because I get to experience a whole new story, while with 2, I'm replaying as a refresher.
  4. Magneto used his power to have Iron Man and Cyclops kill Wolverine. Tony killed her after she revealed herself a traitor. That was at the end of Ultimates 2, I believe. At the end of Ultimate Power -- written by Bendis, JMS, and Loeb -- Fury was taken to the Supreme Powers universe and held accountable for... something or other. Good stuff, thanks for that. I forgot about the Black Widow thing in Ultimates 2. And I just looked up that Black Widow 2 hasn't been revealed yet and is going to be used later in Ultimate Comics Avengers.
  5. Ultimate Comics Avengers #1-2: He's Baaaaaaaaacck. Mark Millar returns to Ultimate Avengers, problem is he should have never left. I don't plan to ever read Ultimate Avengers 3 and Ultimatum, but if someone could *try* to make sense of what Jeph Loeb wrote and answer the following: What is this Wolverine incident that they keep referring to, why do they say Tony Stark killed Wolverine, thought it was Magneto? What happened to Black Widow 1, and who is Black Widow 2? Why did Fury get fired as leader of SHIELD and how is Carol Danvers now Colonel (not familiar at all with Ultimate Carol Danvers)? Anyways, to the comics at hand, I enjoyed it. I don't think this is going to repair the damage that Loeb brought upon the Universe, but having Millar back on, writing action blockbusters, is always fun. I really like his run on Ultimates 1 and Ultimates 2, and this was back to form. It's more about Cap than anybody else, and these short form 6 issue arcs, seemingly without the bigger arc, is a nice little sandbox for Millar to play in. I liked the Red Skull origin in issue 2, and the action sequences were awesome. The renegade Cap reminded me of his renegade action escape sequence at the beginning of Civil War and that's a good thing. I'll pick up the trade for when this comes out.
  6. Yeah I've read the entire series the whole way through and I felt it was a strong comic the entire way. Sure the end isn't as exciting as the build-up...but by that point I was so connected to the characters, and the character work, along with the thematic relevance was always strong. Yeah, I'm glad she likes it. Hopefully she errs on my opinion and not on yours. I think you're really overstating the "fumbling of the series." Anyways, I'll let you know what she thought of Marvels, when she gets to it.
  7. She-Hulk #1-12: Wanted to read this, heard good things about Dan Slott's she-hulk, so I picked it up. I didn't love it, it's fun, it's fluffy, and some stories work better than others, but overall it feels pretty inconsequential. The first 6 issues are really good, tightly plotted, law mixed with superhero adventure stories, with the theme of identity running throughout. The second half things just go bonkers and gets fairly out there. While it still remains consistently funny, and the bevy of cameos from D-list (Titania, Hercules) and sometimes even A-list stars (like Spider-Man) keeps the pace moving and attempts to keep the book fresh, it loses that around issue 8 or 9. Anyways, it's enjoyable comic book fare, but it's not going to rock your world. Sam and Twitch: Brian Michael Bendis Collection vol. 1: I read District X and I figured since I liked (at least the first arc on my first read) I should give this a shot and it's fairly similar. While District X had a major character that was, lets face it, incredibly unlikable, this book has bland characters that act more like plot devices. They're sufficient but there's not a whole lot of depth to them. This book has better pacing, more of a noir feel, and overall is more fun that District X is. The characters didn't do anything for me, but the plotting kept me on my toes but because this is early Bendis, the dialogue can get a little clunky, and early Maleev is doing great work, but not quite up to the amazing stuff he would later do on Daredevil. Anyways, the cartoony style actually works really well in this book. I liked it, but not enough to pick up the second volume, I don't think. It's solid crime storytelling with some outlandish supernatural stuff. I hope Gotham Central is the pinnacle of how good these books can be because I really don't want to pick up that down the line and be disappointed with more of the same (dull characters but great plots). Total: Comic books: 32 Trade paperbacks: 105 Daredevil by Frank Miller and Klaus Janson Volumes 1, 2, and 3; The Authority by Ellis/Hitch/Millar/Quietly Volumes 1 (Relentless) and 2 (Under New Management) and 3 (Transfer of Power); Batman: Year One; Batman: The Long Halloween; Planetary vol 1 (All Over the World and Other Stories), vol. 2 (The Fourth Man), and vol. 3 (Leaving the 20th Century), Planetary Crossing Worlds (The Crossover specials); Planetary 19-26; Batman: The Man Who Laughs; Frank Miller's Daredevil: The Man Without Fear; RONIN; JOKER; Deadpool #1; Punisher Max vol. 1-4; Penance: Relentless; Thunderbolts by Warren Ellis vol 1-2; Thunderbolts: Secret Invasion, Astonishing X-men Hardcovers volume 1 and 2, Daredevil: Born Again, Y: The Last Man vol. 1-10, The incredible Hulk: Tempest Fugit, Marvels, Daredevil: Redemption, Daredevil: Yellow, Hard-boiled, Hulk: Dogs of War, Spider-man: India, R.I.P.D., Daredevil: Love Labors Lost, District X vol. 1, Walking Dead vol. 1-8, Deadpool vol. 1: Secret Invasion, Superman: Red Son, Batman and Son, Justice League International vol. 1, Bullseye's Greatest Hits, Marvel 1985, X-men Children of the Atom, The Dark Phoenix Saga, Batman: Hush vol 1-2, Batman: Nine Lives, Walking Dead vol. 9, 52 vol. 1-4, Batman: Gothic, X-men: God Loves Man Kills, Daredevil by Bendis vol 4-7 and vol 9-13, X-men: Mutant Genesis, Transmetropolitan vol. 1 (Back on the Street), Starman vol. 1-3, JLA vol. 1, Hunter Killer vol. 1, Starman vol. 4: Times Past, Daredevil by Brubaker Devil Inside and Out vol. 1-2, Daredevil by Brubaker Hell To Pay vol. 1-2, Daredevil by Brubaker: Cruel and Unusual and Lady Bullseye, Hulk by Bruce Jones HC vol. 1 and 2, District X vol. 2, X-factor Visionaries by Peter David vol. 1-4, Ultimate Iron Man vol. 1, Ultimate Human, Daredevil by Brubaker: Return of the King, Noir: A collection of crime comics, Last Hero Standing #1-5, Ultimate Nightmare #1-4, She-Hulk #1-12, Ultimate Comics Avengers #1-2, Sam and Twitch: Brian Michael Bendis Collection vol. 1,
  8. Like I said, it's been ages since I've seen any of the bad films in the series (I generally only watch Goldfinger, Casino Royale, and From Russia With Love nowadays), so maybe it's been glossed a bit but I noticed you didn't say anything about the G-force simulator sequence, and maybe it's that 5 minute sequence that stands out so much that lets me gloss over. I remember that sequence being a bright spot in a very bad film for sure. Yes, at least you get the idea of what I was getting at. Completely agree, it was wasted in tremendous fashion. Well, when you take into account that Bond has almost never been beat, really, beat, yes he's been roughed up, but it was still just a roughing, part of the job. It really changed the game, made it seem this Bond movie is going to be different, if they had just followed that theme, of Bond being broken, completely, and is trying to piece together his life back. It would have been great. Instead it just devolved. Like I said, after that fade to black, it's like a completely different movie, and that's where all the shit is. Also when you've been avoiding getting your ass kicked for 20 movies, it's got to come back and bite you in the ass somehow. And didn't Jack Bauer spend 20 months in a Chinese prison and he was able to shoot his friend the same day he got out. Like I said, it was when I first watched the films 9-10 years ago. I haven't watched them since, although I watched License to Kill multiple times, and I absolutely hated it. I even wrote a review at 15 about how much the movie sucked. I might be warmer towards them now. But man, after Roger Moore, I felt Dalton was a black hole of charisma. I was actually following the webshow, I would watch the film and then listen to your show later that week, but I stopped after From Russia With Love a couple summers ago. Although I can't believe you guys gave For Your Eyes Only a 5/10. That's not cool, it's easily one of the better plots in the film series and seriously one of my favorites.
  9. So something kind of cool happened to me recently. My girlfriend of a year or so showed interest in reading a comic/graphic novel. We had watched a ton of the comic book films together (Iron Man, Dark Knight, The Incredbile Hulk, Watchmen) and I've been getting her to watch Heroes season 1 with me. She's liked them all to varying degrees, with Iron Man and Dark Knight topping obviously and she knew I read graphic novels, although I never really talked about it much. She kind of brought it up to me and I agreed. So I gave her Y: the Last Man vol. 1 TPB, and Marvels HC. I was racking my brain for what to pick, and I felt these two were really good picks. Marvels as the superhero pick, and Y the Last Man to show that comics isn't all about superheros, plus it's got a ton of sociological and political themes in it, which she likes. A lot of my stuff is crime stuff which I didn't think she'd go for, or traditional superhero stuff which usually has a ton of backstory already implemented, and I wanted something where not a TON of backstory is needed, where it's pretty good as a standalone book, so that's why I picked those books as well. She called me yesterday to tell me she was angry with me. Angry with me because I only gave her one volume of Y: The Last Man. She read it cover to cover in one sitting and she loved it. Biggest problem is that she predicted a lot of the mysteries already that you don't find out until the end of the series.
  10. A View to A Kill is easily the worst fucking Bond movie ever. EASILY. It's fucking boring, the villains are terrible, GRANDFATHER MOORE, the annoying ass chick SCREAMING throughout the entire movie, it's really all bad. And NO Walken didn't do a good enough job to save this movie. It's just terrible through and through, there's absolutely NOTHING good about this film. Moonraker, while I admit the space sequences and Jaws turn is terrible, I really liked the first 30 minutes of this movie. There's an absolutely intense sequence in the G-force emulation system, and there's the fun opening sequence. I'm not going to argue with anybody who hates this movie, especially since it straight up RE-USED the plot from the last movie, but I will point out that there bits and pieces that make it not the WORST film. Die Another Day, while having a TERRIBLE and ABYSMAL second half, the first half is actually not bad. The second half had the stupid gadgets, the really crappy CGI, and a lot more Halle Berry and it's just terrible, but the first half was actually quite good, with a thrilling opening sequence, Bond actually getting his ass kicked showing vulnerability, and then some actual spy work. I think there's actually a point where it fades to Black after Bond fails a mission and I think that's the point where it just turns crappy. I can't defend anything that happened in the second half, but I will defend the first half. Also, I had a really intense hatred from Timothy Dalton's films the first time I saw them as a teen. Mind you, it's been AGES since I've seen any of the Bond films, but this is my memory.
  11. Someone should check out this week's episode of Dread Media. Just sayin'. I just saw it up on the main page, I'll check it out soon enough, don't know when because it's the worst time of the semester, with my comprehensive exam, my master's paper project due date coming up.
  12. Noir - I'm curious why you thought Azzarello's piece brilliant because I just didn't see it? Have to agree with you on the Criminal story, they had two stories with the same plot twist or at least very similar...I was reading the stories and a couple of times I was like this is kind of familiar. Glad I didn't read it all in one sitting and only read one story at a time. Kraven's Last Hunt is a fucking masterpiece and honestly should be much more respected and lauded than it is.
  13. Finished the FIRST SEASON last night, it's actually a very rough first season. Episode 17: Reaper - Really...Smallville takes on assisted suicide, REALLY! The villain in this episode is really just terrible. The biggest situation is that this issue takes up most of episode, the only thing that keeps these bad episodes a float is the political machinations in Lex's storyline. The differences in the father/son relationships throughout this season between Lionel/Lex, John/Clark are fucking fascinating and it's explored a bit here, as well as the John Kent and Lex non-relationship. Episode 18: Drone - Oh My Goodness, huge leaps in logic here. A girl gets stung by lots of bees she MUST be the Queen Bee now. The FUCK? The class president Clark Kent campaign is actually really fun as he searches for slogans and becomes popular, but the main plot is garbage. Again the only thing keeping these bad episodes afloat are the Lex storyline, here Lex deals with a reporter trying to slander his name. It's a good thing Lex isn't in the high-school because then he'd get caught up in these stupid ass main plots where crazy meteor induced teens go on a rampage. He's kind of on the fringe in his storylines and it's fun to watch him there. Episode 19: Crush - After the last two episodes, this villain doesn't seem half-bad. He's got legitimate gripes with certain people but his penchant for revenge is just too consuming. The Clark/Chloe relationship gets pushed to the front, and it seems all too quick, sure they were hinting at it throughout the season, but it seems like they skipped a gear somewhere along the way. We go from 3rd to 6th gear here and it's kind of an awkward but nice change of pace as the mid-season was kind of dull to be honest. It's not a great episode but it's a good one as we finally see some progress. Episode 20: Obscura - This is actually an interesting plot and it feels closer to home as Lana is the one who gets meteor induced powers this time around. Chloe is the one who gets in trouble, and it all just feels closer to Clark rather than some student who goes crazy who happens to be Clark's tutor. Here it's all real, and it's all happening to people Clark cares about. Also it's nice not to get a meteor induced villain for once. Episode 21: Tempest - I hate cliffhangers as season finales. It's okay to cliffhang some things, but the season should have a clear theme and closure every or at least every other season. Instead Smallville leaves everybody on a to be continued basis and it grinds my gears... Outside of that, Lionel Luthor is awesome, he's been awesome in his sporadic appearances all season and he's a great ploy to Lex. Clark, Chloe, Lana, and Whitney are all left up in the air in terms of relationships and for Lana in terms of safety. See it's okay to have Lex/Lionel tension that's perfect type of cliffhanger, it's okay to have uncertainty for all kinds of relationships, it's great to have this guy following them around trying to discover what's really going on, it's great to have the spaceship come to life, that's all great stuff, but to throw a couple of twisters into the mix, fucking stupid. You should have twister thing ended, and all the other stuff left in the air. That's really how you should have ended the season. Frustrating, but really excited all the same. In terms of the entire season, it's kind of dull and not that great, but there's a lot of potential here. This season they just did a lot of world-building in terms of the Smallville town and the threats that Clark faces. They also did a lot of relationship building and then changed up the status quo the last few episodes. This episode was just small adventures with lots of talk about Clark hiding, but not much being done with that. It seems like next season they're going to do world-building of Clark's past, and actually expose Clark a little bit as the threat is much more real now.
  14. elnino14

    Weird turnoffs

    What if she reads comics and has never read Grant Morrison, is that a dealbreaker?
  15. I picked up a couple of comic book lots for cheap on e-bay. So far none of them have been worth the coin. The first of the lots that I read was: Last Hero Standing #1-5 - This was a Marvel Adventures type book, it's kind of retro in it's style, it's more focused on big adventures and plenty of banging action. It takes place in a alternate Marvel, the same universe as Spider-Girl, Peter Parker's daughter. It's a fun book, and it's got a great arc dealing with Captain America (the one and only) coming to terms with the changing of the guard in super heroics, and his declining ability. Overall it's just too cutesy and retro for me to really love. Ultimate Nightmare #1-4 - This was missing one issue from the Nightmare arc, and Nightmare is only the first part of the Ultimate Galactus trilogy, it was a primer to see if I should pick up the Galactus Trilogy Trade, I really liked it, it's a freaking great set-up to the rest of the trilogy, but I heard it's not quite as good in the other two parts. Like I said, it's what the Ultimate universe should have been known for, inventive re-imagining of popular stories and this first arc, especially the first issue is pretty terrifying. Total: Comic books: 18 Trade paperbacks: 104 Daredevil by Frank Miller and Klaus Janson Volumes 1, 2, and 3; The Authority by Ellis/Hitch/Millar/Quietly Volumes 1 (Relentless) and 2 (Under New Management) and 3 (Transfer of Power); Batman: Year One; Batman: The Long Halloween; Planetary vol 1 (All Over the World and Other Stories), vol. 2 (The Fourth Man), and vol. 3 (Leaving the 20th Century), Planetary Crossing Worlds (The Crossover specials); Planetary 19-26; Batman: The Man Who Laughs; Frank Miller's Daredevil: The Man Without Fear; RONIN; JOKER; Deadpool #1; Punisher Max vol. 1-4; Penance: Relentless; Thunderbolts by Warren Ellis vol 1-2; Thunderbolts: Secret Invasion, Astonishing X-men Hardcovers volume 1 and 2, Daredevil: Born Again, Y: The Last Man vol. 1-10, The incredible Hulk: Tempest Fugit, Marvels, Daredevil: Redemption, Daredevil: Yellow, Hard-boiled, Hulk: Dogs of War, Spider-man: India, R.I.P.D., Daredevil: Love Labors Lost, District X vol. 1, Walking Dead vol. 1-8, Deadpool vol. 1: Secret Invasion, Superman: Red Son, Batman and Son, Justice League International vol. 1, Bullseye's Greatest Hits, Marvel 1985, X-men Children of the Atom, The Dark Phoenix Saga, Batman: Hush vol 1-2, Batman: Nine Lives, Walking Dead vol. 9, 52 vol. 1-4, Batman: Gothic, X-men: God Loves Man Kills, Daredevil by Bendis vol 4-7 and vol 9-13, X-men: Mutant Genesis, Transmetropolitan vol. 1 (Back on the Street), Starman vol. 1-3, JLA vol. 1, Hunter Killer vol. 1, Starman vol. 4: Times Past, Daredevil by Brubaker Devil Inside and Out vol. 1-2, Daredevil by Brubaker Hell To Pay vol. 1-2, Daredevil by Brubaker: Cruel and Unusual and Lady Bullseye, Hulk by Bruce Jones HC vol. 1 and 2, District X vol. 2, X-factor Visionaries by Peter David vol. 1-4, Ultimate Iron Man vol. 1, Ultimate Human, Daredevil by Brubaker: Return of the King, Noir: A collection of crime comics, Last Hero Standing #1-5, Ultimate Nightmare #1-4
  16. In all honesty I don't remember much from all the episodes as I watched them early last week, outside of Ep16, which I watched last night. Episode 13: Kinetic - Really didn't like this episode much. The washed out athletes with tatoos were pretty annoying throughout the episode and really their dumb as rocks to pull off any kind of scheme. It's more of the same, super-powered kryptonite villains do things, threaten people, Clark saves them. The only good thing about this episode is that it builds Whitney a bit more, as now he's lost his scholarship and kind of a defeated teen who feels like he'll fall into the same fate as his old man. 6/10 Episode 14: Zero - This was a rather cool episode as it kind of shows everybody having something to hide, gives more insight into the type of man Lex has been, Lex's past and the trouble he's caused (although all of it with noble intentions). The mystery behind the dead man is a lame deus ex machina, cop out and it's disappointing after they've built such intriguing mysteries. 7.5/10 Episode 15: Nicodemus - I really liked this episode, what could have easily been a throw-away episode is a great study on what happens when emotions are uncontrolled. It allows some of the cutesy characters in the series be bad for an episode and it looks like they're having a blast doing it. Everybody does a great job here, and it's a really fun episode all the way around with some interesting insight into some of the deeper feelings of the characters. Lex also got some development as he is always been smirky, and sneaky, but never a bold-faced liar, he was one in this episode to Clark no less. The climax between those two was rather intense and an absolute fantastic scene. 8.5 Episode 16: Stray - Another solid episode that doesn't feel too formulaic, it's slow but all the interactions are pretty good, the comparisons between Clark and the Stray are plentiful, and the relationship that the two build felt genuine. But overall, the show is spinning it's wheels, the characters are still not really developing and I feel a very circular motion going on and I usually vomit from those types of rides. 7/10 The show has gotten more solid as it went along, but it's still not great, it's still bubblegum and cotton candy entertainment.
  17. X-factor Visionaries by Peter David vol. 1-4 - David's newer run is a shit-ton better by far, but this was still very fun, 90's adventure comics. It's actually really cool how David mixes some deep themes like war, genetic engineering, identity, etc... into his humourous superhero adventure comics. Easily the best issue is the psych evaluation on the team, that issue really hits on all cylinders and is the best kind of summation of the characters on the team. It's not the greatest run ever, but it's very solid run, and I'd say it's a definite pick-up for anybody interested in the earlier adventures of the X-factor team. But volume 4 is eaten up by the X-cutioner's song X-over debacle, where David had to put everything on hold in order to be part of the crossover, and it really hurts the writing when David isn't allowed to stay in his little corner of the X-universe. Ultimate Iron Man vol. 1 - I read this a while ago and hated it. I tried it again and I ended up really liking it. I still don't like the non-ending of the volume, but it's actually a decent ending point. This is really what the ultimate series was about, taking characters and taking risks and new interpretations of their world. For the longest time Ultimate Spider-man, which didn't really change the origin too much, felt more like spider-man than the main books. I can't say the same for Iron Man as it's so unique and different from the Iron Man of the main books (of what I've read). In the Ultimate version origin, Iron Man is much younger throughout the book, there's a lot of changes (he's not just a tech-based hero anymore, he's a bio-tech hero now). It's all really kind of interesting and it sets up Iron Man's world before he even became Iron Man, I mean Tony isn't even born until the second issue and he doesn't even wear the suit until the end. It's very much like a Man Without Fear style book. It's fun, and it builds on the character that the Ultimates only touched upon (which is also a great series too). I hope to get vol. 2 soon, and I hope it's at least as good. Ultimate Human - Ditto to above, I hated this the first time I read it and liked it this time around but not as much as I liked Iron Man. This book kind of feels like filler. It's here to fill out the Ultimate universe a bit more, gave a bit of a tie-in to the movies that were coming out at the time, the story didn't really felt like it NEEDED to be told. Warren Ellis likes to talk bio-tech babble, and he does that here, it's the perfect place for it really. It's intriguing because you're invested in Bruce, you care about his plight, and because Ellis does a good job of characterizing and setting up the plot. It's a short book that deals with those two characters mainly, but the standout issue doesn't barely features those two characters, it deals with the titled Ultimate Human, and it's a great political intrigue issue. Does it mix as well as Millar's issues did, no, but it's still quite close and just as fun. Daredevil by Brubaker: Return of the King - I really liked bits and pieces of Brubaker's run, it's very good. The end and iconic 500th issue, does a great job of keeping you guessing what was going to happen. And really, helps keep the momentum and puts Diggle to the test of tying up the story Brubaker was telling here. While the first half of Brubaker's run is quite dark and depressing and hopeless and really helped transition from Bendis lawyerrific run to Brubaker's more superheroic storylines, the second half is more fun bringing back the ninja element that didn't fit in Bendis' run. It all came down to Noir: A collection of crime comics - this was good toilet bowl reading material. They're quick, short stories and like any anthology, some are good, some are awesome, and some are meh. I don't remember which one's are the best, I quite liked the prose story and Brubaker's story was top notch that could have belonged as an extra in the Criminal books. The most disappointing was Azzarello, because I had heard so much good stuff about 100 bullets and I figured this could be a primer to his work and style, and it fell way short. Total: Comic books: 9 Trade paperbacks: 104 Daredevil by Frank Miller and Klaus Janson Volumes 1, 2, and 3; The Authority by Ellis/Hitch/Millar/Quietly Volumes 1 (Relentless) and 2 (Under New Management) and 3 (Transfer of Power); Batman: Year One; Batman: The Long Halloween; Planetary vol 1 (All Over the World and Other Stories), vol. 2 (The Fourth Man), and vol. 3 (Leaving the 20th Century), Planetary Crossing Worlds (The Crossover specials); Planetary 19-26; Batman: The Man Who Laughs; Frank Miller's Daredevil: The Man Without Fear; RONIN; JOKER; Deadpool #1; Punisher Max vol. 1-4; Penance: Relentless; Thunderbolts by Warren Ellis vol 1-2; Thunderbolts: Secret Invasion, Astonishing X-men Hardcovers volume 1 and 2, Daredevil: Born Again, Y: The Last Man vol. 1-10, The incredible Hulk: Tempest Fugit, Marvels, Daredevil: Redemption, Daredevil: Yellow, Hard-boiled, Hulk: Dogs of War, Spider-man: India, R.I.P.D., Daredevil: Love Labors Lost, District X vol. 1, Walking Dead vol. 1-8, Deadpool vol. 1: Secret Invasion, Superman: Red Son, Batman and Son, Justice League International vol. 1, Bullseye's Greatest Hits, Marvel 1985, X-men Children of the Atom, The Dark Phoenix Saga, Batman: Hush vol 1-2, Batman: Nine Lives, Walking Dead vol. 9, 52 vol. 1-4, Batman: Gothic, X-men: God Loves Man Kills, Daredevil by Bendis vol 4-7 and vol 9-13, X-men: Mutant Genesis, Transmetropolitan vol. 1 (Back on the Street), Starman vol. 1-3, JLA vol. 1, Hunter Killer vol. 1, Starman vol. 4: Times Past, Daredevil by Brubaker Devil Inside and Out vol. 1-2, Daredevil by Brubaker Hell To Pay vol. 1-2, Daredevil by Brubaker: Cruel and Unusual and Lady Bullseye, Hulk by Bruce Jones HC vol. 1 and 2, District X vol. 2, X-factor Visionaries by Peter David vol. 1-4, Ultimate Iron Man vol. 1, Ultimate Human, Daredevil by Brubaker: Return of the King, Noir: A collection of crime comics
  18. Episode 10: Shimmer This episode is all based around a single mystery, it's not the greatest mystery ever, but did you really expect it to be. This is a very Season 1 Buffy-type episode, and actually the concept is very similar to one of the episodes from that show. The invisible teenager is also the teenager who is the least known, the most quiet and as they say it's the quiet ones you have to watch out for. It's predictable but it's not too predictable. Anyways, the main issue here and the more interesting issue, is the stuff that has to do with Clark, as always. Clark shows himself to be a better man than Whitney, by sacrificing his own feelings for Lana in order to help her repair her relationship with Whitney. In the end, Whitney isn't a bad guy, he's a pretty typical jock, kind of immature. Clark is just morally better, and an all around idealist. His ideals and his devotion to these ideals are what is so interesting in this episode. Even with his best friend telling him that he'd make the moves, but he's not Clark, and that's why he likes Clark so much, Clark still makes the tough decision and moves on. The rest of the plot, the villain plot really isn't that interesting, sure it gives us more insight into Lex but it's still kind of bland, and been there done that. 7.0 Episode 11: Hug This episode is my least favorite on the disc but it's still not quite as bad as earlier episodes and I can't remember much of it. It's just that the concept is a bit bland. It's a very environmentalism heavy episode. It's a very business dealings heavy episode (which is fine when it deals with Lex, but I don't really care that much outside of him). It's just kind of boring. Until the climax. Uzi's, Clark vs. gun, and Chloe kissing Clark (okay maybe that last one doesn't happen in the climax), but there's some awesome moments in the climax and the action scene of the episode. In terms of themes, we see something that'll come up in the very next episode but just executed so poorly it's barely even noticeable, two people having the same power and using them in different ways. Why is it not noticeable, well, it has very little relevance on Clark or any of the other main characters, it's all based on the one-off characters we'll see only in this episode. So we kind of go over it in passing. And we forget. Most of the episode though is just bland. Whitney boohoos about Clark causes problems with Lana/Clark friendship, and it's all wrapped up kind of stupidly and nonsensically. I didn't like this episode. 6 Episode 12: Leech This episode has some great thematic relevance but the plot devices used to get there are just implemented so poorly...lightning really...REALLY! First the bad stuff, LIGHTNING can apparently strip you of your powers and change your DNA, which is what happens to Clark here. He switches DNA with a normal person, and he in fact become normal. I can't stress this enough, LIGHTNING makes people switch DNA. It's stupid. The normal kid gets Clark's powers and deals with bullies, and unforgiving parents. Anyways, once that is out of the way, we see Clark get to enjoy normal life. There's some interesting notes on identity and the use of power to establish identity. The coolest difference is to see what Clark does with his powers, responsible, life-saving actions compared to the other teenager who uses his powers for personal gain and to crush adversity (not unlike a certain friend of Clark's). Clark sums it up quite well on why the two are so different, Clark's parents. The other big difference is in how the public view the two, because of Clark's carefulness in hiding he's never seen as a freak or an experiment, even though his parent's know, they still treat him as their son. The other student never felt treated like a son, never felt loved, and thus is seen as an opportunity for research by his father, and a freak by his mother. That really is the difference in how the two end up using their powers. Unfortunately the climax could/should have been interesting as a normal Clark takes on the powered student, but it just uses the stupid plot device to get everything back to normal. It's stupid and lame. And really puts a dent on an episode that has lots of fun thematic relevance. 7.5 Halfway through the season and I fell a bit of mid-season slump. It's still fluffy entertainment, and really, the quicker Season 1's constant one-off plots end, the better.
  19. Episode 8: Jitters First off, the jitters effect wasn't scary, it was hilarious. Laughably bad. Second this episode breaks away from the norm: it's got a villain who's not really a villain, and the "not really a villain" is an adult this time around. It's refreshing to see that not all the villains are teenagers, and it's also good to throw in a sympathetic villain who is also a victim of circumstance and desperation. Also the villain's connection to Clark and the Kent family is more believable than it has been in the past (a study buddy in Cravings, and random jock that he goes to school with that's macking on Chloe in Cool). The villains story does take up a lot of time because it's the main story of the episode, sure there's some humorous filler early on about Clark throwing a party while his parents are away, but it's just that filler. The rest of the episode is Earl Jenkins asking for help and trying to find out what is wrong with him and his disease's connection to Luthor Corp Testing. The idea of desperation is the kind of the main connection in this episode, Lionel is desperate to diffuse the situation and not have any negative press, Lex is desperate to be better than his father at any cost, Clark is desperate to help his friend, the Kent's are desperate to get their boy out. It shows how such a thing can escalate very very quickly. It also compares the relationship between Clark and his family to Lex and his father. Outside of the filler, it's a pretty good episode, although some of the acting and the jitter effects are laughably bad. 7.5 Episode 9: Rogue I really like this episode as they really make Clark see the consequences of his consistent use of his powers. Even at one point it's a throw away line reference to his other life-saving events, it still makes me giddy that the show knows somebody would put the pieces together. Again, like much of the earlier episodes, this episode makes me think of X-men just due to the comparisons of hiding your powers and not being seen in order to be normal. It's got a great character building scene with Kent's father as he does everything he can to try and protect his son. Clark takes after his father's lesson and does everything to protect his family. You can see the strong moral compass being built as Clark goes through these dilemmas. Also I really liked that they touched on Clark's want to kill the villain. It really makes Clark seem flawed and it works because he isn't Superman yet, he's still got to work out the kinks, especially in cases where the villain gets close to his heart. It's not just random civilians the villain is threatening it's his family. We know all superheros become emotional when their family is involved (I mean look at Spider-man, he made a deal with the devil just to save his dying Aunt). Lex moves closer to find out the truth about Clark which is interesting but his interaction with Victoria Hardwick was really not, they tried to make it see like an exciting corporate game of cat and mouse but it was far from exciting. Finally the C-story of Chloe losing her job as School Paper editor was really a nice piece of character building, very highschool-ish but considering that they are in high-school, it works. It gives Chloe more screen time, shows more of the true feelings that Chloe has for Clark, and Lana now realizes it, I think. Meaning that Clark will probably be hooking up with Chloe before Lana because of Lana's sincerity. Three very separate stories with very little thematic connection this time around. But still one of the more entertaining and well-paced episodes yet, with a villain who doesn't have powers. That's a few good episodes in a row...we'll see if they can keep it up.
  20. Sorry I haven't been around, I was sick for the past 3 days, and during that time I finished up Battlestar Season 1. Episode 6: Hourglass The first episode that really combined all the elements excellently. The whole story follows an overall theme of time. The villain is stuck in the past, the old woman can see the future, and everybody else has to deal with the consequences of the past and future clashing into the present when they don't belong (the villain) and/or are not ready to deal with it (the future, especially with Lex). First off, the coolest thing about this episode are the visions of the future that the audience gets. Lex doesn't believe in prophecy and feel an individual can create their future, Clark believes in prophecy but doesn't what likes what he sees and works to change it. The villain is another one of those elemental villains that we've been seeing lately, but it works just fine because it doesn't overpower and overwhelm the strength of the character story being told here. Even the villain is kind of creepy, from how things are played out when he's just an old-man to later. It's fits very much into how we view different age groups, the pesky, vile, evil teenagers, and the innocent, respectable, old men. Imagine if the teenagers are just a little bit younger, they'd be innocent again. The circle of life. I really liked this episode, and it's easily the best episode yet. 8.5/10 Episode 7: Craving - From one of the best episodes yet, to one of the worst. This is a case where the villain does overpower the story. The whole story is about the villain with really crappy effects, and really an annoying character. It's obvious they're trying to throw a theme against eating disorders and poor self-image, but it's just so heavy handed that it's kind of been there, done that. The stuff in terms of Lex, Lana, and Clark still moves along quite well. But it's all a blur because much of the time we're watching the villain go on a spree. The plot needs to pick up soon, like I said the villains of the week can only last so long. I really liked Lex's machinations this week, he's making an assertive effort to find the truth behind the happenings of Smallville and Clark himself. He's also constantly positioning himself in a favorable position by helping Clark, but at the same time, only as a way to know the truth. It's very fun to watch him wheel and deal in the background. Still incredibly poor episode 5/10.
  21. Episode 5: Cool Another villain of the week...this time he has the power of This time the metaphor is for somebody who is basically a man-whore. It's basically using the cold as the way certain men may treat women as only sexual objects. Either way, the villains are still kind of just there. At least, Kryptonite isn't sitting around at the opportune time before the fight, instead, like many of the other power villains, he's received his powers due to it. It's a really weak episode and they tackle a plot-line I didn't care too much about, the Kent farm storyline, although it does get Lex involved more in the Kent's lives and involves more business like matters which is what Lex becomes a mastermind at. Overall though I wasn't a fan of that plot thread. The better plot was the one that had to do with sacrifice for Clark. Lana wants to spend time with Clark, but Clark is caught in a very Peter Parker-like scenario, doing good in the world or being with the special someone. Clark ultimately decides he needs to use his gifts and goes off to be the do-gooder at the upsetting of Lana. Like I said, very Peter Parker like scenario. I expect this to be a theme throughout the season if not longer, Clark's moral responsibility coming in the way of his wanting to be with Lana, friends or family even. It's not a half bad idea, and they've already established that Clark feels responsible for a lot of the bad that's happening and going to happen. It helps sets up the self-sacrifice we see from Superman. Also getting more of a spotlight this episode is Chloe, who gets to show more depth that the regular super-reporter side. She shows that much like the rest of the town she's quite much like a normal girl, despite her strong, smart front. She also is capable of vulnerability and she is even willing to give a well-known douchebag a chance. Still most of the plot is spent with ICE-Raper, and it's not that great. Like the earlier episodes, it falls to the typical, boring villain plot, good character plot. When it finally meshes, the scores will go higher. But until then this show is still getting crappy scores. 6/10
  22. Episode 3: Hot Head The show is progressing pretty typically. While it makes great redemption for Clark to deal with all the weird things that have happened because of his arrival, it gives Clark a potentially limitless amount of stock villains to deal with, all that have different powers, but the villain of the week storytelling really reeks of beginner story telling. Which is fine for right now because frankly it is the beginning of the show, but I don't think I could go with this throughout the show. Usually good shows (such as Buffy) attempt to use the villains as metaphors things that happen in real life. Smallville also attempts to do that, at least with this episode, it's a very thinly veiled metaphor, but it's a metaphor. The evil coach here is a metaphor for child abuse, biased teachers, and obviously extreme competitive spirit out of control. Not sure what the coach's fire is supposed to represent really and that's pretty common. Why is the guy in the first episode electric? No reason really. It's just amateur storytelling really, face value storytelling. I need more to my tv show and so far, especially in these episodes that are focused around a very particular plot, they're not doing it for me. As for the other characters, this episode is about standing up for your-self, becoming your own man (or woman in Lana's case). That's the strength of the episode and it weaves through the "villain of the week" plot throughout the episode. It's supposed to help show the strength in Clark, Lana, and Lex as they all stand up for something they believe in and all stand up against their parents or guardians. It's all there to strengthen the characters, Clark once again wants to prove wants the trust of his parents to make his own decisions with his powers, Lana wants more out of her life and wants to stand out, Lex works to be a better businessman than his father. Again it's not really captivating stuff, and that could be because it's been a long time since high-school although these themes still ring true to me now in my mid 20's, but it's fun bubblegum stuff that needs a bit more polish in terms of characters, and more rhyme, reason and depth in terms of their plots. Worse than the pilot episode and second episode, it's not bad just not as good. 5.5/10 Episode 4: X-Ray Again another villain of the week with thinly veiled metaphor, actually this metaphor is better than the last, as the villain wishes their life is more like others and thus takes on their facade. It's a nice little metaphor for jealousy of others. Clark deals with a new power (take a guess which one that is?). There's a hilarious scene when they're in gym class and Clark's eyes go wonky on him and he gets a sneak peek at Lana's . It's awesome and really true to what most guys would be doing if they had the power, honestly, glad they acknowledged it. Lex deals with being framed. It's pretty awesome, Lex bounces back and forth from doing somewaht good things to evil things. He's in a moral middle ground and there's a fight for his soul going on, but his position, his power (both of which he probably loves), makes harder to keep things straight. Another metaphor is that this episode is all about people not being who they seem at first glance, Clark isn't just Clark he's more than that, Lana doesn't just want to be some cheerleader, she wants to be more than that, the villain isn't who they seem to be, the reporter isn't just doing his duty he's blackmailing, and Lex isn't just some spoiled brat, he's fucking awesome. The only person who really knows who they are and is who they are is Chloe, she makes no bones about who she is. It's refreshing everytime she's on screen really as she's the only one who acts really genuine while everyone else kind of acts like they're in a tv show (it's okay for Lex, because he's evil and evil is cool, and cool gets a pass). Again another good but not great episode, it's fun but it doesn't really come together as well as I make it seem. 6/10 General thoughts on the series thus far: Lex is awesome in this series. Pete is absolutely useless in this series. He has done nothing of note, and I actually had to wiki the character's name because I keep forgetting it. Like many characters in this show, Chloe has a one note role, but I like her character and I like the actress who plays her. Hope for more of her in the future. I don't like how much kryptonite there is in these episodes, everyone has some, it's all over the town, and anytime Clark gets in conflict, the villain "just happens" to have some handy. I hate that most of the villains kind of get injured/die seemingly on their own accord. Only episode 4 breaks the mold as Clark actually knocks Tina out. In the others, the electric guy frys himself, the lizard guy gets crushed because he pulls a lever, the fire coach blows himself up. What the heck.
  23. Actually, the first two episodes were originally aired as one two-hour pilot. I remember watching it as a kid and not even noticing that they were two separate episodes. Even though the second episode starts immediately after the first, they make it very noticeable on the dvd, with a "previously on..." separating the two, two different villains, two different themes (the first episode being an origin for the characters, the second episode circling the kryptonite necklace. But speaking of younguns I was a kid too, but more like a highschool kid when this show started up.
  24. Since I've never seen the show, like at all, and I don't want to run into a whole bunch of spoilers in the other thread (SPOILER....CLARK LIVES!), I'll put it in here where I'll keep a running diary of my thoughts on Smallville. First off I should say, I have very little knowledge of Superman and most of it is the little crossovers he's had with Batman in Hush and Dark Knight Returns, the Batman animated series, and his own series of films. I really liked the first two, never watched the second two, and I thought Returns was boring. Overall in the first two, some of it was a little goofy and there's more gags in the second, but I still liked them. They're entertaining stories, and the first one has an absolutely awesome origin. I only recently watched the older Superman films, I never got into the character because frankly, I find the character to be rather dull, his rogues list is almost non-existent, and frankly I don't like how invincible he is. So this is my mind-frame coming into this show. I watched the first two episodes last night: Episode 1: Pilot, Episode 2: Metamorphisis - It's funny that they couldn't even give a title, I guess the title of the pilot is Smallville. I really enjoyed the opening scene. Outside of the special effects being rather low-budget, (I almost laughed when I saw Lana's parents get crushed), the scene really helps portray what seems like a theme throughout much of the first season (Clark's arrival caused a lot of strange and sometimes tragic things to happen in Smallville). We get an introduction to the adults of the series and subsequently an origin (in a way) of the three young'ns, main characters, of the series. The rest of the series reminds me of a mix of X-men and early Buffy. Clark right off the bat has two friends in high-school who immediately remind me of Xander and Willow. They have this scene where there is a ton of exposition and the wall of weird in the background. The high-school setting, of course, and the superpowers, of course remind me a lot of that. Although Buffy had much better dialogue and wasn't so ham-handed as it is here, at times. Overall it's still enjoyable I just hope that some of the speechy, melodramatic Dawson's Creek elements will be toned down a bit. As for the X-men comparison, I'm talking about the way Clark wants to be normal, he really does act like a younger mutant, a teenager with powers, would. It's a completely different impression than I had of Superman before. I always viewed Superman as who he is, comfortable in the suit, comfortable with his powers, comfortable with his position in life and Clark as the disguise. Here, we see that Clark kind of who he is, and with the help of his parents, especially his father in these episodes, and through his life he will develop a Superman aura, identity, along with the strong moral compass. We can see his willingness to self-sacrifice right from the outset with his constant saving of people, but even more than that is the conclusion to episode 2 where he puts Lana's necklace on her door without the need to gloat that he found it. I like Lex, he comes across as polite, yet sneaky and mischievious. It's interesting and better long term planning that Lex stays in the background and gets built as a villain while the jock pretends that he's a somebody. The dynamic between Lex and Clark is really fun to watch in these early gray episodes, as Lex is less black and white, and there seems to be a little fighting for Clark's soul. I like that Clark's moral compass isn't completely set yet. The other villains are really nothing to write home about, the first episode has an electric boy or Electro, and the other episode has bug boy, or Toad. Neither one is that deep, and they're there to be the villain of the week, while the series builds up greater threats (I hope). It's fine for the early part of the series, but on a long term basis, this villain of the week thing will get boring. I actually really enjoyed Bug Boy's outing, as they spent more time building up an origin, a background, and everything, making him more than just a throw-away villain. The electric kid was little more than just a throw away villain. It really irked me that Clark won both fights by accident, if this becomes a recurring occurence, it'll get boring really quick. Lana is really one-dimensional here and serves no more purpose than to look and act cute. She does it well. Clark's friends didn't really do much, outside of help with detective work, exposition, and comedic relief. I can see Chloe having a bigger part later, but not quite yet. Clark's father gets a lot of screen time in these early episodes as he really does get speechy and fills us in on Lex's father, as well as his own moral compass and place in the world. He doesn't seem all that bad in these early episodes and actually tries to help Clark out a bit. I really liked how they worked in classic ideas and weaved them right into the story in a modern way, the "fortress of solitude," Lana's kryptonite necklace (which looks like it could play a big part in this series), the S on the chest. I liked the continuity between episodes, it really helps with the serialized storytelling but at the same time doesn't tie it down where it's impossible to enjoy each episode individually. Overall they are a couple of fun early episodes, not too deep, and not fantastic in terms of storytelling, plots, and pacing but there's a lot of potential here. 7/10 for both.