Venneh

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About Venneh

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    Glad we're all on the same murderous page.
  • Birthday 11/20/1988

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  1. Die 3: o hai fantasy masterclass and deconstruction, I am here for this. Still skeptical that Hans can keep up on a monthly schedule, but the art continues to be amazing. Unnatural 7: Mirka Andolfo does supernatural furry comics, it pretty Vindication 1: I know Image really prides itself on not having editors but uh maybe they should. Just saying. Yiiiiiiikes. Criminal 2: Brubaker and Phillips do a very thinly veiled take on Steve Ditko But A Dirtbag, and apparently the issues aren’t all going to be the same story chronologically, which should be interesting. Blackbird 5: I haven’t picked this up in a few issues, but they make it easy to follow, and it’s so neat to watch Jen Bartel leveling up art wise. East of West 41: Combination flashback and setup issue for what’s to come. I’m interested to see what’s to come. Seven to Eternity 13: Well, it looks like Remender is attempting to wrap this up? Maybe? I mean, it’s been so sporadically released I wouldn’t be surprised. But damn dat Opena tho. Monstress 20: SANA TAKEDA PRETTY, also some stuff going on in the background plot wise that I’m still trying to figure out. Trades/Tankobon: 3Single Issues: 13
  2. Wotakoi: Love Is Hard for Otaku v3: Continues to be a funny and sappy as hell romance manga focusing on (three now!) nerdy couples. This is finally past what the anime has adapted so far, so it’s all new material, and I continue to like the two volumes in one approach to translation. 10 Dance v1: An old school boy’s love manga - slow burn, rivals turned dance partners turned ???, polar opposites, the whole nine yards. I’ll definitely read more when it comes out. Trades/Tankobon: 3 Single Issues: 5
  3. And finished it! Kingdom Hearts 3: Worth waiting since high school for. Is this perfect? Fuck no. The last part of the game feels pretty rushed in terms of wrapping up the story (and one character in particular getting the shaft), and the Frozen and Pirates worlds would be deeply improved by, say, a skip button. But the combat is fucking great (yes, it's a bit mashy between two buttons, but man if it doesn't flow like none other), the ability to switch between various forms for your Keyblade is wonderful (shield! magic guns! BEATING THE FINAL BOSS WITH A GODDAMN YO-YO), when the worlds hit the right notes they hit them hard (raise your hand if the Big Hero 6 world personally victimized you), and the music is amazing.They also added more save points during the endgame run, which, thank fuck. And yeah, there are deep nostalgia buttons that are hit with this game, but they hit them on the right notes, and I'm probably going to be playing through again. I would love to see DLC that gives us new worlds or expands the story (you can get through this in 30-40 hours, and while that's great, I expect significantly longer from a KH game). Also, play the cooking minigame. Totally worth it.
  4. 1. Woman’s Consciousness, Man’s World, Sheila Rowbotham: Originally published in England in the 70s, this focuses on the roles of women in capitalism and how women’s lib has connections to socialism, and how women are treated even in revolutionary movements. It also ties the author’s personal experience into the general writing she does connecting socialism and feminism, which makes it way less dry than a treatise like this could’ve been. Boyfriend got me this for my birthday, and it’s a relatively quick read, and a good way to start out the year. 2. The 7 1/2 Deaths of Evelyn Hardcastle, Stuart Turton: This is a hell of a first book. It’s a cross between a locked room mystery and a time travel narrative - one person reliving the same day from different points of view to solve a murder, in order to be freed from the time loop he finds himself in. It’s an incredibly well written mystery, except for a few small points. What exactly Blackheath is and who the main character is and why he’s there is left to too late in the book for you to fully get a sense of that part of the mystery, and I feel like it could’ve been revealed sooner on to give it more room to breathe. That aspect also has a hell of a thing to say about rehabilitation and forgiveness, and I feel like there’s a whole other novel there. There’s also some ableism and fat phobia in random parts that leaves a sour taste in your mouth. The core mystery comes together wonderfully though, and was a fun, winding read. Take a look when it comes out in paperback! 3. In An Absent Dream, Seanan McGuire: First off: the cover colors on this are goddamn gorgeous. I was looking forward to this, because Seanan’s take on the Goblin Market is something I’ve wanted to see for a while. But it’s not just about the idea of fair value here (though she makes it very clear that there’s also a very deep seated rage against capitalism in her take on fair value). It’s a story of two girls, and their relationship, and how that plays against Lundy’s relationship and obligations to her family, and how she interacts with the Market. You already know that it won’t end well, if you’ve read the other books, but watching it get there is heartbreaking and beautiful. 4. The Xenofeminist Manifesto, Laboria Cuboniks: Ill be blunt here: you’re absolutely paying for the production values on this, but damn are they some hella sweet production values. It’s a fairly straight forward manifesto: gender and capitalism blow, and we think technology can liberate and fix everything that’s wrong with them. They emphasize evolving past gender, but I feel like this could be repurposed too easily by the MRA/terf lot. This was written back in ‘15, so I would be particularly interested to see what their take on the internet as it’s become today would be. There does appear to be a theory reader out there, so I’m interested in reading more. 5. The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth’s Past Mass Extinctions, Peter Brannen: Found this in the remaindered section at our bookstore with a rec from our friend, so I picked it up. This is a neat combination of an explainer of the former mass extinction events that Earth has undergone, interviews with specialists on these time periods and the events, descriptions of trips to field sites, and lyric descriptions of the events themselves. I took this about two chapters a night, and it was a pretty even pace - very readable, great way of relating information without making it too overwhelming. It also is very clear that it’s also a book about climate change, and how past events compare to what we’re doing now, and even speculation into the future. Definitely read this if you find it. 6. A Peoples’ Future of the United States, edited by Victor LaValle and John Joseph Adams: A fantastic speculative fiction anthology that is both a response to Trump’s election and the hellscape we are all living in these days, and a fantastic collection of speculative fiction ranging from hard sci-fi to decolonized futures to very deliberate fuck yous to the current political landscape. One of the hardest things to do in an anthology is balance known quantities (authors who will be able to turn in a good short story on time) with the name draws (NK Jemisin, Charlie Jane Anders, G Willow Wilson), and bringing in new discoveries. This is due out February 5th, and you are in for a treat when it comes out. 7. Miranda in Milan, Katharine Duckett: And tonight in “well shit, I didn’t expect to mainline this in a few hours, but here we are”: this exquisite ARC from Tor.com Publishing. This comes out at the end of March, and man, you will want to read this when it does. It’s a continuation of the Tempest, and focuses both on Miranda’s brave new world, and some of the darker implications of what Prospero was up to. Also: queer as hell, and women righting the wrongs that have been done to them by dickhead men. This is a bit simplistic description, yes, but I don’t want to give away the twists. There’s a bit of structuring that could have been done better, I feel, but man, that’s really the only thing I can say against it, and for an author’s first published work, I’m not going to count it as a major strike against it. It’s 131 pages, so you can go through it in, say, an hour and a half like I did here, and it’s the perfect size for a commute. 8. Forest of Memory, Mary Robinette Kowal: Quick 80 page story that I’m reasonably sure was posted on Tor.com originally, but makes a quick engrossing read. It’s a quick spin on the idea of the antiquities dealer, but set in the future, and what if the person’s experience is what’s valuable to a collector? There’s some really neat riffs in the story itself where spelling mistakes and strike throughs are preserved in the story because it’s written on a typewriter, but it adds a neat touch. Worth a read, especially with a Victo Ngai cover. 9. China in Ten Words, Yu Hua, translated by Allan H Barr: A collection of ten essays by a native Chinese author about both growing up during the Cultural Revolution and Chinese society with the introduction of capitalism. I mainly knew Yu Hua from To Live (we read excerpts and watched the movie in a class in college), so it was fascinating to see his perspective and background on “the Chinese miracle”. Solid choice on the ten words he used to theme his essays, too. 10. Archivist Wasp, Nicole Kornher-Stace: I got this in physical form recently as well as on sale digitally a bit before that, and I finally took that as a sign to get off my ass and read it. And then I ended up reading something like 80% of it in the space of tonight. The world building and rules of the ghost world are done exquisitely, and the journey that the girl and the ghost take, and the history that is revealed all combine to encourage you to just keep turning the page and don’t fucking stop until you get answers, or as close as they come here, or at least see what the hell is going to happen next. I’ve heard very good things about this from people whose taste I trust, and every one of them was right. There’s another book, and I’m interested to see where it goes, because this book seemed like a straightforward one and done. Quick, compelling, and darkly gorgeous.
  5. KH DDD: Yeah, I got to Riku's section in the final world and just decided to watch the rest of the game. Might come back to it, because I thought I was past the point where I could switch back to Sora's POV, but apparently I was wrong! Still way too much going on, especially with the Dreams as Pokemon mechanic, but Flowmotion/Command Decks worked well enough. KH .2 ~A Fragmentary Passage~: This feels like it was the proof of concept for KH3 - that it could work in the Unreal engine, and that after a fucking decade, they could actually pull off a ground up rebuild of the battle system. Unsurprisingly, it's goddamn gorgeous. Battle system handles incredibly well, didn't use the shortcuts too much but will probably be using them in KH3. Story feels like a bit of a retcon - MICKEY YOU ASS YOU RAN INTO AQUA HOWEVER MANY YEARS AGO AND YOU DIDN'T DRAG HER ASS OUT WITH YOU?! - to set up KH3 stuff, but hey, it's Kingdom Hearts, it's convoluted as shit, I'm just gonna let it happen at this point. Pretty sure that the ending cutscenes are the first few scenes in KH3, too? Overwatch: Continues to be my brain turn off game, pretty much switch between Ashe and Moira, with secondary on Ham Ham, Lucio and Mei. Capture the Flag is fun from the new event, like that they added Busan to the mode.
  6. Die 2: Yeah, I'm here for this. I'll be interested to see if Hans can keep up on a monthly schedule, though. WicDiv 41: HELL YEAH HELL YEAH HELL FUCKIN' YEAH. Deadly Class 36: Oh look, it's another drug trip issue. I am so very compelled by this content. /sarcasm Buffy 1: I'm actually kind of interested to see how this goes, and how much of a hand Whedon will actually have in this versus the rein they might give Jordie. Monstress 19: Comic real pretty, here for this fantasy ass shit. Trades: 1 Single Issues: 5
  7. And continuing for 2019!
  8. 97. The Winter of the Witch, Katherine Arden: So. I applied for ARC access for this book on a whim, on the basis that I had the first book in my library and not thinking I’d get it. And then I did. So I decided that to be fair to it, I’d read that first book, along with finding a copy of the second book, before I got to this ARC. I found some of the ideas in the first book interesting, but found they got thrown aside for elements I wasn’t that interested in. The second book was frustrating attempts to set groundwork for the third book and things bought up to be thrown aside suddenly in favor of oh hey third book! And then we get to this. I have a thing where I will read an entire book, even if it makes me want to throw it against a goddamn wall, because I want to be fair to it. And then I tear it a new one. This is me doing that, because I read through this book, all 384 pages, in the last twenty four hours or so, and Jesus fucking Christ this book. I should’ve fucking quit when the author decided to explicitly code the supposed big bad with queer villain tropes. I thought maybe someone would tell her maybe this wasn’t a good idea. They didn’t. I came this close to throwing the book when the priest he seduced was described as having “lips and hands as delicate as a woman’s”. Did you know our main character is both Russian folk spirit AND witch AND Russian royalty descended? And beloved of the winter king? And also Baba Yaga’s heir? AND the sister of a mythical monk character from history that Arden wanted to have as her final battle in the book, but didn’t realize that she made it seem like the book was over two thirds of the way through? Oh and the big bad sides with her because she’s just that awesome. Throw in a bunch of rape threats, clumsy wrapping up of loose plot threads, sex that the author can’t commit to describing, and pretty mediocre writing, and I am actually somewhat angry that I committed the time I did to this trilogy. It’s her first book series, and I guess the editor didn’t really want to criticize her?? Or they wanted to get on the “fantasy set in not European cultures” wave but didn’t actually want to put effort in. Mediocrity is something I can usually let well enough alone. But shit like this actually makes me angry, especially when it’s a white woman getting a chance to publish this shit while NK Jemisin takes 20 years to get a career under her. 98. Silence, Shusaku Endo: To know why this is so affecting, you need to know that Endo is a Japanese Catholic who wrestled continually with the role of his faith versus the culture he was raised in, and the history of what that culture had done to that faith. The story focuses on a Portuguese priest who goes looking for a mentor of his who may have apostatized, and is eventually captured and the crisis of faith that he experiences as the Japanese believers and fellow priest are martyred for his refusal to apostatize, but he himself is never tortured. The priest ends up taking on the role of Judas, and the examination of faith and the ensuing novel is a hell of a read, even almost fifty years removed from publication. It’s a classic for a reason - read it if you can. 99. The Fated Sky, Mary Robinette Kowal: Sequel to The Calculating Stars. Technically “hard” sci-if in how much it relies on science to explain space flight, but written well enough that it was something I could easily put down for a few weeks and still be able to pick up with ease when I did so again. I’m impressed at the depth to which Kowal built out the social aspects of the world, and in particular in this book, how racism and sexism would be exacerbated, especially in contained quarters in space. Our POV character isn’t perfect and does make mistakes, but she tries to learn at least. There's stuff we don’t see by way of being limited by our protagonist’s POV (especially since half the book is spent in space), but I do hope we get a bit of that corrected in the sequel. There’s one particular aspect (a particularly racist astronaut who is on the flight to Mars) that I do feel like was slightly not dealt with entirely, but I imagine that’s for the sequel. Not anywhere near my top twenty, but still a good solid read. 100. How Long Till Black Future Month?, NK Jemisin: I am genuinely surprised by this collection. Unsurprisingly, Jemisin is insanely good at writing short stories, and there are several ones in here that I actually wish were published elsewhere or at least online, because I want to share them with people. (The most notable of these is the story that opens the collection, “The Ones Who Stay and Fight”, which is a direct response to Ursula LeGuin’s famous short story.) There are almost no stories in here that I would consider passes, and I would gladly read any of these again. There are several proof of concept stories in here for novels she’s already written, too, so it’s fun to see where some novels originated. Basically, one of my top ten, and definitely worth another read. 101. Red Doc>, Anne Carson: This is a sequel to Autobiography of Red, definitely an experimental verse novel and moves into being more of its own thing. The first two thirds or so are very surreal but also a touch meta in that it feels like it’s Carson settling into what she wants to do with this narrative as Geryon figures out what he wants to do with himself. This didn’t hit for me until the last third or so, where he goes to be with his mother as she’s dying. Definitely worth reading through if you find it in a sales section, not sure if I’d read it at full price though. 102. The Light Between the Worlds, Laura Weymouth: Its very rare for me to go through a book in the space of a few hours (in this case, spent in the bath). That alone should tell you’re in for an amazing read. This is very much a response to CS Lewis and the Narnia books, and focuses on the sibling relationship, particularly between the sisters, and what their return to England after having lived several years in another world back in the bodies they were in when they left would actually look like. The two sisters have small markers that indicate that they’re responses to Susan and Lucy Pevensie, but they are their own characters, and watching their relationship be shaped by their time in the other world and their responses to it afterward is a gorgeous read. The only thing I’m mildly uncomfortable with is that a suicide attempt is posed as the fix to depression that results from one of the characters’ return to England, which is a bit iffy with the YA audience it’s aimed at. But otherwise, the frank look at depression and grief and trauma are a refreshing response to portal fantasy. Definitely worth a read. 103. A Paradise Built In Hell: The Extraordinary Communities That Arise in Disaster, Rebecca Solnit: This is a pretty dense read, but this is a pretty extraordinary look at disasters and the reality of the aftermath and support that tends to pop up in their aftermath. There’s some historical coverage - the San Francisco earthquake in 1906, 9/11, the idea of the Mandate of Heaven, the London Blitz, the Halifax explosion, and other historical disaster scholars and media portrayals of disaster aftermath. But most interesting to me, and where the book likely began in earnest, was the narratives of the Katrina aftermath versus the reality of the racism of the government and National Guard and what happened to the citizens of New Orleans because of it, versus the community taking care of their own. It’s a pretty thorough rebuke of the post apocalyptic “every man for himself and everything will go to hell” narrative using actual historical examples. Definitely worth a read if you find it. 104. Regarding the Pain of Others, Susan Sontag: An essay about the role of photography in war, and how the exposure to the horror of war through war photography plays into or against the anti war sentiment. It’s a fantastically written essay that uses critical art theory and war history to interrogate the argument that media involvement in war actually numbs us to it, and it’s a pocket size hundred fifty page book that you can get through in an hourish read on the bus, for example. 105. Swordheart, T Kingfisher: God bless that she’s continuing this series - this is the same universe as Clockwork Boys, but a completely new setting and characters. This is basically her response to the character of Blackwall in DAI. The main plot is a romance between a middle aged widow trying to get her rightful inheritance, and the man in the magic sword she’s inherited. There’s priests who are lawyers, slime parasites, a great middle aged character, and more strokes that fill out the universe. Plus, it turns out there’s two more swords, and this is the start of a trilogy. YES. Great final read for the year.
  9. Harrow County v8: Hell of an ending to the story, and fantastic art to boot. Trades: 1
  10. (Reminder to self to attempt to remember what all I've read since August 21st, probably not gonna remember it all but by god I'm gonna try)
  11. Overwatch: Still fun, picking up Ashe and a bit of the Ham Ham, still mostly a Moira main, with sides of Lucio and Mei. I just hit gold in terms of levels, which I think puts me at something like 1500? I've played this game a lot. Kingdom Hearts Dream Drop Distance (aka the PS4 port of the 3DS game): So, this is something you do need to play on a fairly regular basis or you will forget certain mechanics (see: my spending twenty minutes trying to remember how to do Reality Shift after putting it down for a week plus the other night). The mechanic of switching between Sora and Riku on something like a timer keeps gameplay interesting, but man oh man, I would REALLY like to see more frequent save points. The Spirits as Pokemon mecahnic feels a bit extra, but can be fun, even if I'm not entirely sure how it works half the time. Command decks are back, so I'm betting we see that in KH3. Flowmotion can be mildly irritating when you go into it when you don't mean to, but it's gotten a bit better as the game's gone on. I'm currently stuck on a boss battle in the Tron world on Sora's part, and I was up till 1:30 last night before giving up for the night. I kind of missed doing that, except for the part where I wanted to throw the controller.
  12. 91. Swing Time, Zadie Smith: Ehhh? I got it remaindered, read half of it in line to vote bc there wasn’t much else to do. The story follows two biracial girls in London throughout their lives, but really only one and the other through her eyes. If you squint there’s some stuff about how people form identities and appropriation and privilege and the interference of well meaning superrich individuals in international communities causing more problems than they solve, it it flits away before actually commits to commentary. It feels like it can’t decide if it wants to be a chick lit novel about these girls’ friendship or a Novel About Things, and it suffers for the indecision. It’s a solid book, but could be better if it actually committed to what it wants to be about. 92. Middlegame, Seanan McGuire: ARC, comes out next May. A hell of a novel, and something I actually would be interested to see Seanan expand on world wise. A story of two kids and the alchemical powers they end up embodying, them growing to adulthood and figuring out what’s going on with them, time travel, fiction used as a way to frame the way the world thinks of things and as a framing device for the story itself, and all kinds of things in between. The opening is also a very clever chess reference that if you know it frames the book very well. Definitely one you should read when it comes out. I also wouldn’t mind more about characters like Reed and Baker and Leigh, honestly. 93. Vicious, VE Schwab: Man, do I have some feelings about this. One the one hand: quickly paced solidly written prose, and once it starts to get fully going plot wise (first half of the book is basically setting up the FoeYay), it takes the hell off. And they don’t try to portray either of the two main male leads as heroes, either. On the other: two of three female characters in this end up dead, which is deeeeeeply fucking irritating, especially when the second female character was seemingly positioned to become the big bad, and the first just felt like a straight up fridging. I also had to check that Schwab didn’t have a past in fanfic, because man, this felt like a scrubbed serial killer Charles/Erik AU. It got to the point where I was reading parts out loud to the boyfriend when I found the various expies (Emma Frost and Nightcrawler stand out in particular). There’s a sequel, but I’m not sure that I want to give it the shot, and given that it’s only out in hardback currently, ehhhh. It was a fun read but it was also irritating the hell out of me by the end of it. 94. The Bear and the Nightingale, Katherine Arden: Got this for free at C2E2 in recent years I want to say. Russian based fantasy novel that takes a bit to find its footing, and once it does, it feels like it takes off at a gallop, but stumbles a bit when it gets towards the end. The juxtaposition of the Russian Orthodox Church against the folk tales and how the darker side of Russian folklore uses a priest to play into his hands makes for a deeply compelling conflict in the middle of the book. However, the set up to get there and the sudden turn it seems to take at the end towards not being self contained are deeply frustrating. It’s a first novel, and I’ve essentially gotten this and the soon to be released third part for free, so I’m willing to gamble and see how the rest turns out. 95.The Bird King, G. Willow Wilson: ARC, comes out in February I believe. I mainly knew G. Willow through her work on Ms Marvel and Vertigo, but this is the first of her novels I’ve read. And I love it. It’s the story of a concubine and a gay mapmaker with mysterious powers that are caught up in the fall of Granada, and the reach of the Inquisition, and their attempts to make a life for themselves. This is a fascinating and well paced novel that gets its hooks in you early and doesn’t let go. The characters are wonderful, the setting is one that is not normally explored in historical fiction, much less historical fantasy, and the fantasy is just a very practical and useful aspect of the story - being able to draw maps of places you’ve never seen before, being able to be unseen by being what those around you expect to see, things like that, with a touch of otherworldliness from the jinn. Most fascinating to me though is the use of stories in the novel, and how the stories we tell to each other shape us and our experiences, especially those that are passed on from others. There’s a line I can’t find at the moment but will try to find in the morning that talks about how all they have are stories from the people trying to conquer them, that really stuck with me. Of particular note for me though is the big bad of the story, who is a white woman who is an Inquisitor, and while there is a story trope that is reminiscent of the Snow Queen/the Bible (the mote in the eye), but the novel makes it clear that while she is influenced by evil, the actions she undertakes and her beliefs are very much her own, and are absolutely terrifying. She looms over the story even when not there, and I have to wonder how having her in her headspace went for G Willow. Get this when it comes out. 96. The Girl in the Tower, Katherine Arden: Second book in the trilogy, and the only one I paid money for. Kind of regretting that I did, currently. A pretty aggressively mediocre girl masquerading as a guy story with a side of “but oh the frost demon fell in LOVE with her” and a sudden right turn into hey larger treachery going on and oh btw Koschei the Deathless. There’s also some pretty significant padding in the beginning, which is frustrating. I’m going to read the ARC of book 3, because maybe it somehow gets better, but I’m not holding my breath. How the hell did this get a fucking trilogy?