drqshadow

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Posts posted by drqshadow

  1. It's actually a very interesting fight. By all accounts, Randy should just destroy him. He's got the edge in everything but size and pure wrestling ability, and even that's somewhat debatable - Randy was a three time Olympic alternate as an amateur. The one real thing I can see Brock has going for him is that fifty pound weight advantage. If there's one thing Couture has struggled with historically, (besides Chuck Liddell) it's significantly larger men who know how to handle themselves on the ground. He was smashed by Josh Barnett near the end of his previous run at HW ('02), and while it really isn't fair to compare Brock to Josh at this stage in his career, they really do have a lot in common. If Randy can keep Brock at a distance and avoid being pinned on his back for any length of time, he should be able to handle it. But if he slips just once in five rounds, he could be in serious trouble.

  2. Loved this game, and the review does a great job of summarizing it. I had a few minor gripes with Braid (the length, the price, the vague storyline, the repeated stage designs, the FREAKING CHEAP BREAKABLE KEYS THAT DON'T INDICATE THE PROPER DOOR) but ultimately thought it was fantastic. Another fine contribution, Aaron!

    Yoda, I think the screenshot you grabbed is from the PC version - the Xbox visuals are actually quite a bit nicer, specifically on the character models and interactive objects. Plus, the title character no longer looks like a middle-aged, overweight computer programmer. :D

    2myalxs.jpg

    2q1xxlj.jpg

  3. I found an old webcam lying around the office a few months back and plugged it in. Uploads every three minutes, when my work machine is on.

    webcam.jpg

    The photo it left for the weekend isn't so good... I'm sure it'll be better come Monday morning.

  4. I have a few. The primary ringer is "Where'd the Cheese Go," a song Ween recorded for a Pizza Hut Stuffed Crust ad campaign that was ultimately rejected. It's priceless. Fed up with the rejection, they recorded a

    that's my ringer when Caller ID is blocked.

    When the wife calls, it's

    by Kraftwerk, and when it's a call from home it's

    I've got a bunch more that are assigned to specific callers, but they're all pretty dull.

  5. Disliking the art in Sandman is no excuse not to get into the series, as it changes artists with almost every arc. I'm a huge fan of Sam Keith, but his style just doesn't mesh with the kind of story Gaiman was trying to tell in the first arc, and the series really improves in that aspect after he leaves. Of course, Dave McKean's covers are exquisite and steal a lot of momentum from the internal artists, but a lot of big names cut their teeth on Sandman. It's where I first discovered Chris Bachalo, P. Craig Russell, Kelley Jones, Charles Vess and Jill Thompson, among many others. If you're looking to get into the Sandman, I'd actually recommend you start with Seasons of Mists or Dream Country, as they're much more accessible than Preludes & Nocturnes. The former is IMO the best arc of the series and the latter is a set of self-contained stories that provide an excellent taste of the different flavors the series offers.

    As for why I chose Marvel in the poll, I prefer the humanity of their characters. Where Superman and Wonder Woman are virtually gods, impossible to defeat and tough to relate to, Spider-Man and the X-Men are bound much more firmly in a believable reality. Many of Marvel's stories speak to me on a level I'm comfortable with, while the mainstream DC stories I've followed feel more distant and I have trouble connecting. I also prefer the traditional Marvel artistic style, although those waters have grown murkier over the years with the exchange of talent.

    It also helps that I grew up with Marvel characters, while DC books were always something I knew of but never went out of my way to follow.