Superman: Man of Steel


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Some people have a thing about certain iconic film scores but I actually think that's often the part that can best be replaced or complemented. Zimmer's score for Batman isn't judged by Elfman's original, they're both great. John Williams' score for Phantom Menace is as good as his original work on that trilogy. It's possible to live up to the legend of what was with the right talent.

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The whole "I'm lonely" thing is fine by me, as long as it's limited to this film. At the end of Man of Steel, he should come to learn that he is accepted by the world, thus providing us with a happier Superman in the eventual sequel.

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